A few years ago, I was listening to everything that Babyface ever recorded. In thinking back to Bustin’ Loose, or even further back to First Take or Quiet Fire, do you feel like songs still come to you in the same way?ĪS: What kind of songs do you find yourself gravitating toward now? They were gifted in such different ways and could tell the stories of the songs differently.ĪS: Oftentimes, the way songs are written and come together can shift over time. RF: I was working with all of them around this time. Why did you specifically want Luther and Peabo (“Ballad for D”) to be part of a more prominent part of the songs? We’d pick a musical theme and build off it, finding a groove, finding chord changes and lyrics that we felt flowed with the stories each song told.ĪS: You already had some history working with Luther Vandross. The process of writing songs for the story was fluid and collaborative.
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RF: The theme of the movie about children who were so challenged and marginalized having a chance at a better life moved me to write the soundtrack. RF: not just one thing, but many things come to mind: memories of collaborating with the gifted team of musicians-Luther, Marcus Peabo, Barry, Buddy -still inspire me when I listen to the music that we created together.ĪS: When writing the songs for the album and film, what was your intention in terms of the narratives you initially had around each track and the overall storyline of the film? How did you work these around each song? What is the first thing that comes to mind when you think back on the making of this album?
1 hits, including “Killing Me Softly with His Song,” “Feel Like Makin’ Love,” “Where Is the Love,” and her very first, a cover of the Peggy Seeger- and Ewan MacColl-penned folk song “The First Time Ever I Saw Your Face” in 1972.įlack, who knows how the meaning of a song can change throughout life, shared the relevance of Bustin’ Loose today, and explains why she’s listening to newer pop like the Jonas Brothers and Ariana Grande.Īmerican Songwriter: It’s now more than 40 years later and here you are circling back to Bustin’ Loose. Still connected to her journey, Flack, now 85, can reflect on her musical life before Bustin’ Loose, earning 19 No. Flack’s lost opus includes five songs she co-wrote and two instrumentals written by the artist. Out of print for decades, the Bustin’ Loose soundtrack was the lovechild of Flack and her close-knit collaborators Peabo Bryson, co-writing and singing “Ballad for D”-and later recording the R&B hit duet “Tonight, I Celebrate My Love” with Flack in 1983-and Luther Vandross, who worked with Flack since her 1969 debut First Take with Donny Hathaway and co-wrote and duetted with her on the Bustin’ Loose track “You Stopped Loving Me,” a song he would later record for his 1981 debut Never Too Much. A longtime advocate for children, she founded The Roberta Flack Foundation in 2010 to help support children with their education and projects centered around music as well as animal welfare efforts. The storyline of children overcoming adversity was one that stuck with Roberta Flack, who produced, composed, and arranged the nine songs of Bustin’ Loose soundtrack, which was reissued in early 2022. Whitney Houston and Luther Vandross singing together at the Soul Train Music Awards.In the 1981 comedy-drama Bustin’ Loose, Richard Pryor stars as a parolee tasked with relocating eight troubled, orphaned kids to rural Washington and ends up teaming up with them to save their future home owned by Vivian, played by Cicely Tyson. Houston also performed a solo that evening, with a moving rendition of her 1985 hit 'You Give Good Love'. Though the show was aired live and took place in a venue that seats 3,000 people, the group of musicians' personal rendition felt like an intimate show between good friends. Remembering Whitney Houston's efforts to bring homeless children Christmas joy every year.Dionne Warwick facts: Singer's age, husband, children and relation to Whitney Houston revealed.Whitney Houston, who was just 23 years old at the time, was the last to start singing during the live performance.Īnd as the 'I Will Always Love You' singer belted out an impressive note, Vandross watched on in amazement.
Whitney Houston, Stevie Wonder, Luther Vandross and Dionne Warwick on stage in 1987. The audience couldn't help but cheer and scream as the talented foursome worked their way through the hit with ease.
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